{"id":2473,"date":"2016-08-25T14:09:03","date_gmt":"2016-08-25T18:09:03","guid":{"rendered":"https:\/\/romanticimprov.utoronto.ca\/?p=2473"},"modified":"2016-12-31T15:55:23","modified_gmt":"2016-12-31T20:55:23","slug":"lord-byron-notes-to-marino-faliero","status":"publish","type":"post","link":"https:\/\/romanticimprov.utoronto.ca\/?p=2473","title":{"rendered":"Lord Byron, Notes to <i>Marino Faliero<\/i>"},"content":{"rendered":"<div id=\"aei-root\" lang=\"en-GB\"><!-- suid=150 --><\/p>\n<dl id=\"aei-dl-meta\">\n<dt>Performer Name:<\/dt>\n<dd>Carrer<\/dd>\n<dt>Performance Venue:<\/dt>\n<dd>Venice<\/dd>\n<dt>Performance Date:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Author:<\/dt>\n<dd>Lord Byron<\/dd>\n<dt>Date Written:<\/dt>\n<dd>1821<\/dd>\n<dt>Language:<\/dt>\n<dd class=\"aei-half-line-below\">English<\/dd>\n<dt>Publication Title:<\/dt>\n<dd>Marino Faliero<\/dd>\n<dt>Article Title:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Page Numbers:<\/dt>\n<dd>Endnote to p. 456<\/dd>\n<dt>Additional Info:<\/dt>\n<dd class=\"aei-half-line-below\">Qtd from <i>The Works of Lord Byron. A New, Revised and Enlarged Edition, with Illustrations.<\/i> Ed. Ernest Hartley Coleridge<\/dd>\n<dt>Publisher:<\/dt>\n<dd>Chadwyck-Healey<\/dd>\n<dt>Place of Publication:<\/dt>\n<dd>Cambridge<\/dd>\n<dt>Date Published:<\/dt>\n<dd>1994<\/dd>\n<\/dl>\n<p class=\"aei-one-line-down\"><strong>Text:<\/strong><\/p>\n<blockquote id=\"aei-blockquote\" lang=\"de\">\n<p>From the present decay and degeneracy of Venice under the Barbarians, there are some honourable individual exceptions. [&#8230;] There are the young Dandolo and the improvvisatore Carrer, and Giuseppe Albrizzi, the accomplished son of an accomplished mother. <\/p>\n<\/blockquote>\n<p class=\"aei-one-line-down\"><strong>Notes:<\/strong><\/p>\n<div id=\"aei-blocktext\">\n<p><i>Marino Faliero<\/i> was first published and performed 1821. <\/p>\n<\/p><\/div>\n<dl id=\"aei-dl-meta-unimportant\">\n<dt>Collected by:<\/dt>\n<dd> EW<\/dd>\n<\/dl>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In his notes to the play, Byron mentions the improvisatore Carrer as one of the few exceptions to Venice&#8217;s cultural decay under Austrian occupation.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,134],"tags":[153,80],"_links":{"self":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/2473"}],"collection":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2473"}],"version-history":[{"count":5,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/2473\/revisions"}],"predecessor-version":[{"id":3057,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/2473\/revisions\/3057"}],"wp:attachment":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}