{"id":2794,"date":"2016-09-04T16:54:33","date_gmt":"2016-09-04T20:54:33","guid":{"rendered":"https:\/\/romanticimprov.utoronto.ca\/?p=2794"},"modified":"2016-12-31T15:34:31","modified_gmt":"2016-12-31T20:34:31","slug":"language-and-literature-of-holland","status":"publish","type":"post","link":"https:\/\/romanticimprov.utoronto.ca\/?p=2794","title":{"rendered":"Review of <i>Verhandeling van den Heer Willem de Clercq ter beantwoording der vraage, welken invloed heeft vreemde Letterkunde &#038;c. gehad op de Nederlandsche Taal en Letterkunde &#038;c.<\/i>"},"content":{"rendered":"<div id=\"aei-root\" lang=\"en-GB\"><!-- suid=150 --><\/p>\n<dl id=\"aei-dl-meta\">\n<dt>Performer Name:<\/dt>\n<dd>de Clercq<\/dd>\n<dt>Performance Venue:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Performance Date:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Author:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Date Written:<\/dt>\n<dd>1829<\/dd>\n<dt>Language:<\/dt>\n<dd class=\"aei-half-line-below\">English<\/dd>\n<dt>Publication Title:<\/dt>\n<dd>The Foreign Quarterly Review<\/dd>\n<dt>Article Title:<\/dt>\n<dd>Verhandeling van den Heer Willem de Clercq ter beantwoording der vraage, welken invloed heeft vreemde Letterkunde &#038;c. gehad op de Nederlandsche Taal en Letterkunde &#038;c.<\/dd>\n<dt>Page Numbers:<\/dt>\n<dd>4:37<\/dd>\n<dt>Additional Info:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Publisher:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Place of Publication:<\/dt>\n<dd>London<\/dd>\n<dt>Date Published:<\/dt>\n<dd>1829<\/dd>\n<\/dl>\n<p class=\"aei-one-line-down\"><strong>Text:<\/strong><\/p>\n<blockquote id=\"aei-blockquote\">\n<p>[&#8230;] for we, Englishmen, heard with amazement, some years ago, of an improvisatore who poured forth streams of beautiful and forcible poetry in the Nether-Dutch. That improvisatore was William de Clercq, and this work of his, which won &mdash; and deservedly won &mdash; a popular prize, contains irrefragable evidence of extensive reading, great sagacity, and generally of sound criticism. <\/p>\n<\/blockquote>\n<p class=\"aei-one-line-down\"><strong>Notes:<\/strong><\/p>\n<div id=\"aei-blocktext\">\n<p>&nbsp;<\/p>\n<\/p><\/div>\n<dl id=\"aei-dl-meta-unimportant\">\n<dt>Collected by:<\/dt>\n<dd> EW<\/dd>\n<\/dl>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A review of Willem de Clercq&#8217;s recent book of criticism mentions his fame as an improvisatore. <\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,134],"tags":[199],"_links":{"self":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/2794"}],"collection":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2794"}],"version-history":[{"count":9,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/2794\/revisions"}],"predecessor-version":[{"id":3445,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/2794\/revisions\/3445"}],"wp:attachment":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}