{"id":301,"date":"2016-05-09T21:34:41","date_gmt":"2016-05-10T01:34:41","guid":{"rendered":"https:\/\/romanticimprov.utoronto.ca\/?p=301"},"modified":"2016-07-24T07:22:06","modified_gmt":"2016-07-24T11:22:06","slug":"suid074","status":"publish","type":"post","link":"https:\/\/romanticimprov.utoronto.ca\/?p=301","title":{"rendered":"William Hazlitt, <i>A View of the English Stage<\/i>"},"content":{"rendered":"<div id=\"aei-root\" lang=\"en-GB\"><!-- suid=74 --><\/p>\n<dl id=\"aei-dl-meta\">\n<dt>Performer Name:<\/dt>\n<dd> Kean<\/dd>\n<dt>Performance Venue:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Performance Date:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Author:<\/dt>\n<dd> Hazlitt, William<\/dd>\n<dt>Date Written:<\/dt>\n<dd>1814<\/dd>\n<dt>Language:<\/dt>\n<dd class=\"aei-half-line-below\"> English<\/dd>\n<dt>Publication Title:<\/dt>\n<dd>A View of the English Stage <\/dd>\n<dt>Article Title:<\/dt>\n<dd>Mr. Kean&apos;s Richard <\/dd>\n<dt>Page Numbers:<\/dt>\n<dd> 5:202<\/dd>\n<dt>Additional Info:<\/dt>\n<dd class=\"aei-half-line-below\">Qtd from The Complete Works of William Hazlitt, Ed. P. P. Howe; 21 vols.<\/dd>\n<dt>Publisher:<\/dt>\n<dd>Dent<\/dd>\n<dt>Place of Publication:<\/dt>\n<dd>London<\/dd>\n<dt>Date Published:<\/dt>\n<dd>1930<\/dd>\n<\/dl>\n<p class=\"aei-one-line-down\"><strong>Text:<\/strong><\/p>\n<blockquote id=\"aei-blockquote\">\n<p>Besides, Mr. Kean&apos;s style of acting is not in the least of the unpremeditated, <i>improvisatori<\/i> kind: it is throughout elaborate and systematic, instead of being loose, off-hand, and accidental. He comes upon the stage as little unprepared as any actor we know.<\/p>\n<\/blockquote>\n<p class=\"aei-one-line-down\"><strong>Notes:<\/strong><\/p>\n<div id=\"aei-blocktext\">\n<p>Dated 9 October 1814, <i>The Champion.<\/i><\/p>\n<\/p><\/div>\n<dl id=\"aei-dl-meta-unimportant\">\n<dt>Collected by:<\/dt>\n<dd> DP<\/dd>\n<\/dl>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hazlitt contrasts Edmund Kean&#8217;s style of acting with that of the Italian improvisatori, noting that his performances are much more polished and better prepared. <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,134],"tags":[89],"_links":{"self":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/301"}],"collection":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=301"}],"version-history":[{"count":10,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/301\/revisions"}],"predecessor-version":[{"id":1203,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/301\/revisions\/1203"}],"wp:attachment":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}