{"id":428,"date":"2016-05-13T11:32:22","date_gmt":"2016-05-13T15:32:22","guid":{"rendered":"https:\/\/romanticimprov.utoronto.ca\/?p=428"},"modified":"2016-07-24T06:56:11","modified_gmt":"2016-07-24T10:56:11","slug":"suid087","status":"publish","type":"post","link":"https:\/\/romanticimprov.utoronto.ca\/?p=428","title":{"rendered":"F. S. [F. Salfi?], &#8220;Po\u00e9sie italienne. &#8212; Improvisation&#8221;"},"content":{"rendered":"<div id=\"aei-root\" lang=\"en-GB\"><!-- suid=87 --><\/p>\n<dl id=\"aei-dl-meta\">\n<dt>Performer Name:<\/dt>\n<dd>Pistrucci<\/dd>\n<dt>Performance Venue:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Performance Date:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Author:<\/dt>\n<dd>F. S. [F. Salfi?] <\/dd>\n<dt>Date Written:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Language:<\/dt>\n<dd class=\"aei-half-line-below\"> French<\/dd>\n<dt>Publication Title:<\/dt>\n<dd>Revue Encyclop\u00e9dique<\/dd>\n<dt>Article Title:<\/dt>\n<dd>Po\u00e9sie italienne. &#8212; Improvisation<\/dd>\n<dt>Page Numbers:<\/dt>\n<dd> 17:681<\/dd>\n<dt>Additional Info:<\/dt>\n<dd class=\"aei-half-line-below\">March 1823<\/dd>\n<dt>Publisher:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Place of Publication:<\/dt>\n<dd> Paris<\/dd>\n<dt>Date Published:<\/dt>\n<dd> 1823<\/dd>\n<\/dl>\n<p class=\"aei-one-line-down\"><strong>Text:<\/strong><\/p>\n<blockquote id=\"aei-blockquote\"  lang=\"fr\">\n<p><i>Po\u00e9sie italienne. &#8212; Improvisation<\/i>. &#8212; M. Philippe Pistrucci a donn\u00e9 une seconde s\u00e9ance po\u00e9tique avec un succ\u00e8s m\u00e9rit\u00e9. Il a vari\u00e9 ses m\u00e8tres et ses chants, suivant la nature des sujets. L&apos;accueil qu&apos;on a fait \u00e0 son enthousiasme, l&apos;a encourag\u00e9 \u00e0 offrir aux amateurs de la langue italienne un cours de d\u00e9clamation; ses improvisations et ses le\u00e7ons feront comprendre sans doute ce que pourrait \u00eatre la d\u00e9clamation en Italie, si les Italiens s&apos;en occupaient aussi s\u00e9rieusement que les Fran\u00e7ais. <\/p>\n<p>F. S.<\/p>\n<\/blockquote>\n<p class=\"aei-one-line-down\"><strong>Notes:<\/strong><\/p>\n<div id=\"aei-blocktext\">\n<p>&nbsp;<\/p>\n<\/p><\/div>\n<dl id=\"aei-dl-meta-unimportant\">\n<dt>Collected by:<\/dt>\n<dd> DP<\/dd>\n<\/dl>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The author notes that a performance by the improvisatore Pistrucci was deservedly successful, but remarks that the Italian art of declamation could be much improved if it were pursued more seriously, following the example of the French. <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,134],"tags":[66],"_links":{"self":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/428"}],"collection":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=428"}],"version-history":[{"count":11,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/428\/revisions"}],"predecessor-version":[{"id":1721,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/428\/revisions\/1721"}],"wp:attachment":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}