{"id":568,"date":"2016-05-13T19:20:14","date_gmt":"2016-05-13T23:20:14","guid":{"rendered":"https:\/\/romanticimprov.utoronto.ca\/?p=568"},"modified":"2016-08-23T19:20:39","modified_gmt":"2016-08-23T23:20:39","slug":"suid154","status":"publish","type":"post","link":"https:\/\/romanticimprov.utoronto.ca\/?p=568","title":{"rendered":"[W. Taylor], &#8220;Review of <I>A Commentary Illustrating the Poetic of Aristotle<\/I> by Henry James Pye&#8221;"},"content":{"rendered":"<div id=\"aei-root\" lang=\"en-GB\"><!-- suid=154 --><\/p>\n<dl id=\"aei-dl-meta\">\n<dt>Performer Name:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Performance Venue:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Performance Date:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Author:<\/dt>\n<dd> [Taylor, W.]<\/dd>\n<dt>Date Written:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Language:<\/dt>\n<dd class=\"aei-half-line-below\"> English<\/dd>\n<dt>Publication Title:<\/dt>\n<dd> The Monthly Review<\/dd>\n<dt>Article Title:<\/dt>\n<dd> Review of <I>A Commentary Illustrating the Poetic of Aristotle<\/I> by Henry James Pye<\/dd>\n<dt>Page Numbers:<\/dt>\n<dd> 18:125<\/dd>\n<dt>Additional Info:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Publisher:<\/dt>\n<dd>R. Griffiths<\/dd>\n<dt>Place of Publication:<\/dt>\n<dd>London<\/dd>\n<dt>Date Published:<\/dt>\n<dd> 1795<\/dd>\n<\/dl>\n<p class=\"aei-one-line-down\"><strong>Text:<\/strong><\/p>\n<blockquote id=\"aei-blockquote\">\n<p>It is no uncommon thing to see a Spanish preacher, in the fervour of his eloquence, sawing the air with his hand, in order to mark the tact by which his periods are to be measured; and the Italian <i>improvisator<\/i> never attempts a ballad without striking his <i>mandolino<\/i>.  That a similar tendency to recitative characterized the utterance of the Greeks is evident from their whole manner of writing relative to elocution.<\/p>\n<\/blockquote>\n<p class=\"aei-one-line-down\"><strong>Notes:<\/strong><\/p>\n<div id=\"aei-blocktext\">\n&nbsp;\n    <\/div>\n<dl id=\"aei-dl-meta-unimportant\">\n<dt>Collected by:<\/dt>\n<dd> AE<\/dd>\n<\/dl>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Taylor comments on Spanish preachers&#8217; gesticulation and the tendency of Italian improvisatori to strike their mandolino. They performed rhythmically, similar to the Greeks. <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,134],"tags":[],"_links":{"self":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/568"}],"collection":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=568"}],"version-history":[{"count":8,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/568\/revisions"}],"predecessor-version":[{"id":1660,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/568\/revisions\/1660"}],"wp:attachment":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}