{"id":654,"date":"2016-05-13T22:34:13","date_gmt":"2016-05-14T02:34:13","guid":{"rendered":"https:\/\/romanticimprov.utoronto.ca\/?p=654"},"modified":"2016-08-24T11:04:56","modified_gmt":"2016-08-24T15:04:56","slug":"suid197","status":"publish","type":"post","link":"https:\/\/romanticimprov.utoronto.ca\/?p=654","title":{"rendered":"&#8220;The Literary History of the Proven\u00e7als&#8221;"},"content":{"rendered":"<div id=\"aei-root\" lang=\"en-GB\"><!-- suid=197 --><\/p>\n<dl id=\"aei-dl-meta\">\n<dt>Performer Name:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Performance Venue:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Performance Date:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Author:<\/dt>\n<dd>&nbsp;<\/dd>\n<dt>Date Written:<\/dt>\n<dd> 1824<\/dd>\n<dt>Language:<\/dt>\n<dd class=\"aei-half-line-below\"> English<\/dd>\n<dt>Publication Title:<\/dt>\n<dd> Knight&#8217;s Quarterly Magazine<\/dd>\n<dt>Article Title:<\/dt>\n<dd> The Literary History of the Proven\u00e7als<\/dd>\n<dt>Page Numbers:<\/dt>\n<dd> 3:383<\/dd>\n<dt>Additional Info:<\/dt>\n<dd class=\"aei-half-line-below\">&nbsp;<\/dd>\n<dt>Publisher:<\/dt>\n<dd> Charles Knight<\/dd>\n<dt>Place of Publication:<\/dt>\n<dd> London<\/dd>\n<dt>Date Published:<\/dt>\n<dd> 1824<\/dd>\n<\/dl>\n<p class=\"aei-one-line-down\"><strong>Text:<\/strong><\/p>\n<blockquote id=\"aei-blockquote\">\n<p>There is a species of composition familiar to the Proven\u00e7al poets, called <i>Tenzon<\/i>, in which a question of manners or morals is debated between two interlocutors; and it appears that in general they were by no means the fiction of a single poet, but were really dialogues in verse maintained with all the vehemence of improvisation.<\/p>\n<\/blockquote>\n<p class=\"aei-one-line-down\"><strong>Notes:<\/strong><\/p>\n<div id=\"aei-blocktext\">\n&nbsp;\n    <\/div>\n<dl id=\"aei-dl-meta-unimportant\">\n<dt>Collected by:<\/dt>\n<dd> AE<\/dd>\n<\/dl>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The author describes <i>tenzon<\/i>, which are verse dialogues between two poets on morality. <\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27,134],"tags":[],"_links":{"self":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/654"}],"collection":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=654"}],"version-history":[{"count":11,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/654\/revisions"}],"predecessor-version":[{"id":2352,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/654\/revisions\/2352"}],"wp:attachment":[{"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/romanticimprov.utoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}